We are pleased to share the edited introduction to La Strada that Mamoun gave on the 6th January this year, which ended up being an introduction to Neorealist cinema past and present.
Erratum. Rome Open City was of course made in 1945 not 1948 as Mamoun said. Too many films, directors, dates…..
We intend on sharing edited highlights of the Q&A session that was held after the showing of La Strada which focussed more on the film itself.
Giulietta Masina in Fellini’s La Strada
Mamoun kicks off the new year with a matinee of Fellini’s masterpiece La Strada as the first Seniors’ screening of the year.
We are planning to film the Q&A to make it available on this site after the event.
This is a Seniors’ paid Matinee, and tickets can be booked here.
Following Mamoun’s introduction to Babylon in Calgary, he was invited to introduce it again at the BFI Southbank in London this July, as part of a coordinated series of events linked to ‘Get Up, Stand Up Now’ at Somerset House in London, which also included an event at the Jazz Cafe featuring a musical reworking of music from the film by members of the original cast/band. Mamoun was initially reluctant to revisit the film so soon, but chose, instead, to change his normal rule of not quoting or directly commenting on the impact of a film, as his own revisit to Babylon had been so powerful. We urge you to make your own voyage of discovery.
Filmed by Sherief Hassan
Edited by Sherief Hassan
Babylon can be purchased on Amazon in the UK here, and on Amazon international/US here. Anyone wanting to own a restored Blu-ray copy, should follow the International/US link.
During a visit to family in Alberta, Canada, Mamoun’s elder son, Sherief, in England sent the barely credible news that Babylon was to be screened in Calgary as part of the Riddim West reggae festival. The last and only time the film had been shown in Canada was at the Toronto Film Festival in 1980. Anies, Mamoun’s younger son, contacted the reggae festival’s organiser, Leo Cripps, and mentioned Mamoun’s connection with Babylon. Leo graciously invited Mamoun to introduce the film.
Filmed by Anies Hassan and Eric Giesbrecht
Edited by Anies Hassan
The release of Franco Rosso’s
Babylon in the US earlier this year
triggered a series of memories for me of cinema in the UK in the 80s. The film received rave review in The New
Yorker, The New York Times, Rolling Stone, The LA Times and elsewhere. They spoke
of it not only as a piece of compelling entertainment but also as a social and
political document, as relevant today as it was four decades ago. British reviewers
and critics have chosen to ignore the phenomenon.
For a time now, the term
‘social realism’ as applied to British cinema has been one of dismissal or even
contempt. It was just about OK if you added a prefix of ‘poetic’ or ‘neo’
before ‘realism’ – or, of course, if the film was foreign. We seem too caught up with stories of murderous
psychotics and their multi-various and exotic ways of slaughter, and endless
series of the lives of our dysfunctional Royals Through The Ages.
Meanwhile Babylon and much
else is falling apart.…
The British Film Institute Southbank is screening:
Dir Horace Ove
Friday 19 July 2019 18.10
Intro by Dr Elizabeth M Wiliams
Goldsmiths University of London
Dir Franco Rosso
Friday 19 July 2019 20.50
Intro from Filmmaker Mamoun Hassan
Filed under Lecturing, News
Mamoun was very pleased that the screening of Iosif Heifitz lyrical adaptation of Anton Chekhov’s The Lady with the Dog was shown in the larger NFT 1 at the BFI Southbank. It is over 20 years since this classic film has been shown. The packed audience were moved to applause after the screening, and showed their appreciation to BFI programmer David Somerset for arranging this rare opportunity to see this masterpiece of Russian cinema.
We will be sharing the filmed discussion held after the screening shortly.
The Lady with the Dog will screen on Monday 13 May at 2.00pm in NFT I at the BFI Southbank.
Mamoun will introduce the film and there will be a Q&A at the end.
You won’t find many adaptations of books or plays in anybody’s list of Ten Best Films. Francis Coppola’s two-parter of Mario Puzzo’s The Godfather might figure and also Satyajit Ray’s trilogy of Bibhutibhushan Bandopadhyay’s Pather Panchali, where it is difficult to know where the book ends and the film begins. But where are the other great writers: Shakespeare, Tolstoy, Dickens, Balzac, Ibsen, Melville, George Eliot…? So often we get illustrations of bits from here and there and dialogue, lots of it. Adaptation can be an inspiration but also a burden – a burden of responsibility to the original. Films need to break free, as in Kurosawa’s Throne of Blood (Macbeth) and Howard Hawks’s liberties with Hemingway’s To Have and Have Not.
Books and films are more than plot, character and dialogue. To my mind, one of the most successful adaptations, where the book and the film are one, where the film is the book and the book is the film, is the 1960 realization by Soviet director-screenwriter Josif Kheifitz of Anton Chekhov’s great short story The Lady with the Dog. The original is only 17 pages long – no longer than a film treatment.
The timing of the inclusion of my introduction is to the point, as De Sica’s masterpiece will be shown a at Cannes Classics later this month.
On June 13 2013, we posted an introduction to Kurosawa’s STRAY DOG at the National Film & Television School.
At the time the question of the use of clips was not clear and we chose not to risk infringing copyright.
We now include clips under the conditions of ‘Fair Dealing’ in the UK, or ‘Fair Use’ in the US.
So we are here with the first, ‘Revisit’ to Movie Masterclass introductions.
‘All Quiet on the Western Front’ (Dir. Lewis Milestone 1930 – based on the novel of the same name by Erich Maria Remarque) was shown during a season curated by Christopher Nolan to celebrate the release of his new film ‘Dunkirk’, as a film that is a major influence on his work.
Chaired by David Somerset, Kevin Brownlow and Mamoun Hassan discussed the film before a live audience following its screening at the National Film Theatre, BFI Southbank, 6 July 2017.
Kevin Brownlow is the acknowledged authority on the films and history of silent cinema. His first book, ‘The Parade’s Gone by…’ (1963), was transformative in our understanding and appreciation of that era. Satyajit Ray called it ‘one of the most important film books of our time’. Brownlow is the author of many outstanding books and documentaries, and, with Andrew Mollo, he wrote and directed two of Britain’s most controversial political films: ‘It Happened Here’ and ‘Winstanley’. In 2010 Brownlow was awarded an honorary Oscar – ‘For the wisdom and devoted chronicling of the cinema parade’.
Mamoun Hassan is a producer, director, screenwriter, film executive, teacher and deviser of C4’s innovative ‘Movie Masterclass’ series. Most recently he was co-writer on Andres Wood’s ‘Machuca’, Chile’s most successful film, and screenwriter on Andres Wood’s ‘La Buena Vida’, a winner of the coveted Goya Award.
This event took place through the determination, commitment and passion of David Somerset at the BFI.
The recording of the event was marred by the failure of the close up camera.