Tag Archives: Movie Masterclass

Araña at Toronto and San Sebastian film festivals

” Chile, the early 1970s. A violent far-right nationalist group is looking to overthrow Allende’s government. Amid the fervour of crime and conspiracy, group members Inés, her husband Justo and their best friend Gerardo pull off a political crime that changes the course of history. The shadow of betrayal kept them apart for 40 years until Gerardo decides to jumpstart the nationalist cause of his youth.

Now, Inés is powerful businesswoman with a reputation to protect. As the police monitor Gerardo and his growing home arsenal, she will do whatever it takes to keep him from revealing her dangerous political and sexual past.”

The scenario of Andres Wood’s latest film  ‘Araña’ (Spider) for 20th Century Fox Chile.

It’s our third collaboration (Machuca 2004, The Good Life, 2008) and this time, Andres asked me to be Creative Consultant. The premier international screening of Araña is at the Toronto festival (TIFF) on 6 September and its European premiere at the the San Sebastian festival on 24 September. Sorry I cannot be there to see it but I wish Andres all the best of luck for for the film in the “Latin Horizons’ competition.

Mamoun Hassan

Read more on the Variety website: https://variety.com/2019/film/festivals/san-sebastian-horizontes-latinos-the-moneychanger-spider-chicuarotes-1203293556/Ines and JustoGerado at homeInes the beauty queen

Ines and Justo kiss

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Babylon screens at the BFI – An introduction

Following Mamoun’s introduction to Babylon in Calgary, he was invited to introduce it again at the BFI Southbank in London this July, as part of a coordinated series of events linked to ‘Get Up, Stand Up Now’ at Somerset House in London, which also included an event at the Jazz Cafe featuring a musical reworking of music from the film by members of the original cast/band. Mamoun was initially reluctant to revisit the film so soon, but chose, instead, to change his normal rule of not quoting or directly commenting on the impact of a film, as his own revisit to Babylon had been so powerful. We urge you to make your own voyage of discovery.

Filmed by Sherief Hassan
Edited by Sherief Hassan

Babylon can be purchased on Amazon in the UK here,  and on Amazon international/US here. Anyone wanting to own a restored Blu-ray copy, should follow the International/US link.

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Babylon Premieres in Calgary – with an introduction from Mamoun Hassan

During a visit to family in Alberta, Canada, Mamoun’s elder son, Sherief, in England sent the barely credible news that Babylon was to be screened in Calgary as part of the Riddim West reggae festival. The last and only time the film had been shown in Canada was at the Toronto Film Festival in 1980. Anies, Mamoun’s younger son, contacted the reggae festival’s organiser, Leo Cripps, and mentioned Mamoun’s connection with Babylon.  Leo graciously invited Mamoun to introduce the film.

Filmed by Anies Hassan and Eric Giesbrecht
Edited by Anies Hassan

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Landmark British films at the BFI Southbank – 19 July 2019

The release of Franco Rosso’s Babylon in the US earlier this year triggered a series of memories for me of cinema in the UK in the 80s.  The film received rave review in The New Yorker, The New York Times, Rolling Stone, The LA Times and elsewhere. They spoke of it not only as a piece of compelling entertainment but also as a social and political document, as relevant today as it was four decades ago. British reviewers and critics have chosen to ignore the phenomenon.

For a time now, the term ‘social realism’ as applied to British cinema has been one of dismissal or even contempt. It was just about OK if you added a prefix of ‘poetic’ or ‘neo’ before ‘realism’ – or, of course, if the film was foreign.  We seem too caught up with stories of murderous psychotics and their multi-various and exotic ways of slaughter, and endless series of the lives of our dysfunctional Royals Through The Ages.

Meanwhile Babylon and much else is falling apart.…

The British Film Institute  Southbank is screening:

PRESSURE
Dir Horace Ove

Friday 19 July 2019  18.10
NFT3 GA

Intro by Dr Elizabeth M Wiliams
Goldsmiths University of London

BABYLON
Dir Franco Rosso

Friday 19 July 2019 20.50
NFT3 GA

Intro from Filmmaker Mamoun Hassan

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Introduction to ‘The Lady with the Dog’ at the BFI Southbank

Mamoun was very pleased that the screening of Iosif Heifitz lyrical adaptation of Anton Chekhov’s The Lady with the Dog was shown in the larger NFT 1 at the BFI Southbank. It is over 20 years since this classic film has been shown. The packed audience were moved to applause after the screening, and showed their appreciation to BFI programmer David Somerset for arranging this rare opportunity to see this masterpiece of Russian cinema.

We will be sharing the filmed discussion held after the screening shortly.

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The Lady with the Dog – at BFI Southbank 13th May 2019

The Lady with the Dog will screen on Monday 13 May at 2.00pm in NFT I at the BFI Southbank.

Mamoun will introduce the film and there will be a Q&A at the end.

You won’t find many adaptations of books or plays in anybody’s list of Ten Best Films. Francis Coppola’s two-parter of Mario Puzzo’s The Godfather might figure and also Satyajit Ray’s trilogy of Bibhutibhushan Bandopadhyay’s Pather Panchali, where it is difficult to know where the book ends and the film begins.  But where are the other great writers: Shakespeare, Tolstoy, Dickens, Balzac, Ibsen, Melville, George Eliot…? So often we get illustrations of bits from here and there and dialogue, lots of it. Adaptation can be an inspiration but also a burden – a burden of responsibility to the original. Films need to break free, as in Kurosawa’s Throne of Blood  (Macbeth) and Howard Hawks’s liberties with Hemingway’s To Have and Have Not.

Books and films are more than plot, character and dialogue. To my mind, one of the most successful  adaptations, where the book and the film are one, where the film is the book and the book is the film, is the 1960 realization by Soviet director-screenwriter Josif Kheifitz of Anton Chekhov’s great short story The Lady with the Dog. The original is only 17 pages long – no longer than a film treatment.

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Movie Masterclass has a new home

Welcome to the new home for Movie Masterclass – all news and updates on projects will be posted here. We’ve brought our archive over from the old site, so you should be able to find archive content here.

If you find something not working, please let our admin know.

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The 100 Greatest Foreign Films courtesy of BBC Culture – Number one? Seven Samurai

Seven samurai posterThree years ago, the BBC polled critics across the world to identify the greatest 100 American Movies, followed by Films of the 21st century and Comedies.

Finally, the spotlight fell on ‘Foreign’ films – those not made in the English language. 209 critics from 43 countries took part.

Bicycle thieves poster

The results were not a surprise to Mamoun, who has given and recorded masterclasses on and introductions to many of the films on the list, particularly the first three.

Above all, Mamoun has given masterclasses on The Seven Samurai in many different countries: from Sydney in Australia to Zimbabwe in Africa; the UK, Greece, Denmark, Norway and Bosnia in Europe; Mumbai in India; Colombo in Sri Lanka; Havana in Cuba; Santiago in Chile, South America; and in California, where the masterclass was given in three different venues (UCLA Extension, CalArts, The Psychoanalytic Centre for California).

Tokyo Story posterA 65-minute version (edited from a four-hour session) was recorded for Channel 4’s series Movie Masterclass. Kurosawa productions acquired the licence for the Channel 4 programme, which was screened on Japan’s NHK.

Mamoun’s brief ‘Encounter with Kurosawacan be read here.

 

 

 

 

 

The BBC top 10 list:

10. La Dolce Vita (Federico Fellini, 1960)
9. In the Mood for Love (Wong Kar-wai, 2000)
8. The 400 Blows (François Truffaut, 1959)
7. 8 1/2 (Federico Fellini, 1963)
6. Persona (Ingmar Bergman, 1966)
5. The Rules of the Game (Jean Renoir, 1939)
4. Rashomon (Akira Kurosawa, 1950)
3. Tokyo Story (Yasujirô Ozu, 1953)
2. Bicycle Thieves (Vittorio de Sica, 1948)
1. Seven Samurai (Akira Kurosawa, 1954)

In the top twenty foreign films are Pather Panchali (Satyajit Ray, 1955) and The Battle of Algiers (Gillo Pontecorvo, 1966).

Mamoun has contributed a 45-minute video  to Criterion’s amazing restoration of The Apu Trilogy.

Mamoun produced The Battle of Algiers for C4’s Movie Masterclass, and he presented it as a masterclass at the BFI Southbank. The film was one of more than 25 films that he has presented at the European Film College, including Ozu’s Tokyo Story and de Sica’s Bicycle Thieves.

Masterclasses and introductions can be accessed on Vimeo.

The full list of films can be seen here

 

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Bicycle Thieves introduction at the EFC online in time for Cannes Classics

The European Film College posts a select number of videos of events screenings and lectures to show in their ‘Screening Room’. A video of my introduction to Bicycle Thieves is now on site: https://vimeo.com/123839527
The  timing of the inclusion of my introduction is to the point, as De Sica’s masterpiece will be shown a at Cannes Classics later this month.

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Movie Masterclass Revisited – Stray Dog

On June 13 2013, we posted an introduction to Kurosawa’s STRAY DOG at the National Film & Television School.
At the time the question of the use of clips was not clear and we chose not to risk infringing copyright.

We now include clips under the conditions of ‘Fair Dealing’ in the UK, or ‘Fair Use’ in the US.

So we are here with the first, ‘Revisit’ to Movie Masterclass introductions.

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